PEDRO
BARBOSA
(Author,
Researcher and
Professor)
B.A. - Philology and Literature
M.A - Informational Aesthetics
Ph.D. - Communication Sciences (Semiotics)
Born in Porto, Portugal, in 1950. Received his Bachelor’s degree in Letters from the University of Coimbra, and finished his Ph.D. in Communication Sciences (Major: Semiotics) at the Universidade Nova, Lisbon.
Has taught and done research in several national and international universities: Faculty of Letters of the University of Porto, University of Paris X (Nanterre), University of Siena (Italy), University Louis Pasteur (Strasbourg). At the University of Strasbourg developed with Abraham Moles a research project in the area of computer generated art. He is the founder, at Fernando Pessoa University, of CETIC-Centro de Estudos de Texto Informático e Ciberliteratura (Centre of Cyberliterature Studies).
Former full Professor at the Escola Superior de Música e Artes do Espectáculo (Faculty of Music and Performance Arts-ESMAE/IPP), invited professor at Universidade Fernando Pessoa (Porto), and invited member and consultant of the following Research Centers: Centro de Comunicação e Linguagens (Centre of Communication and Languages Studies, Universidade Nova, Lisbon -CECL); Centro Transdisciplinar de Estudos da Consciência (Centre of Transdisciplinary Conscienceness Studies -CTEC) and Centro de Texto Informático e Ciberliteratura (Centre of Cyberliterature and Informatic Text Studies -CETIC), both at Fernando Pessoa University (Portugal); Núcleo de Pesquisa em Hipermídia (Hypermedia Studies Unit -NUPH) at PUC-Sao Paulo (Brazil); and Centre de Recherches sur les Textes Électroniques Littéraires (Centre of Electronic Literary Texts Studies -CERTEL), at the University of Artois (France).
Theory of the Modern Theatre: axioms and theorems (Essay prize of Portuguese Association Writers – 1980)
Metamorphosis of the Real – art, imaginary and aesthetic cognition (1995)
Cyberliterature – Literary Creation and the Computer (1996)
Art, Communication and Semiotics (2002)
Theory of the Modern Theatre – the zero hour (2nd edition, augmented - 2003)
Eróstrato (theatrical rite - 1984); «Theatrical sacrilege» (rearranged re-edition, 2004)
Anticleia or the Dream Umbrellas (spoken play) – 1992; «Is there anyone out there?» (re-arranged re-edition, 2004)
SlowMetropolitanOporto (dramaturgy - 1993)
SlowImaginaryOporto (2001)
Alletsator-XPTO.Kosmos.2001 (electronic opera - 2001)
The Loo’s Caretaker (1976; 2nd edition, 1978; 3rd edition 1984; 4th edition 2007)
Preface for an Only Character (1993)
Stories of the Minhó-Minhó Girl (for children - 1988; 2nd ed. 2009)
The Cybernetic Literature 1: computer generated autopoems (1977)
The Cybernetic Literature 2: a fiction synthesizer (1980)
Thinking Machines: computer generated aphorisms (1986)
Theory of the Sitting Man (virtual book - 1996)
The Textual Machine (infinite electronic book - 2001)